What happens when you combine deadly aliens, poor writing, incomprehensible screaming, Bourne-like camera techniques, and loud, obnoxious battle sequences? Battle: Los Angeles.
When scientists discover asteroids headed towards Earth, basic evacuations begin. After the asteroids start slowing down before entering the atmosphere, it’s apparent they aren’t dealing with simple asteroids. After turning in his resignation letter to the army following twenty years of service, SSgt. Michael Nantz (Aaron Eckhart) is forced to co-lead a team of marines into the heart of Los Angeles. Their mission is to save pedestrians stranded in a police station as an unknown enemy destroys their way through LA.
Nantz narrowly survives alien encounters as he and his team fight their way to the civilians. When men start dropping left and right and with an advanced alien force coming from every direction, all seems hopeless. Few aliens die in comparison to the thousands of civilians and soldiers fighting for their life. With guns shooting wild and men constantly screaming at one another it’s hard to imagine a way out.
The majority of the movie is spent in battle sequences. The camera is shaky, intense and at times, overbearing. They present a unique alien species that I have never seen before, which was refreshing. The team move their way through the city and with each new location, they are able to adapt and fight. Through battles in houses, streets, freeways, sewers, and buildings, they keep the action moving and alive.
The most troubling part of the movie was it’s writing. Most of the dialogue in the movie was indecipherable because it was shouted from one person to the other. The characters were talking so fast and so loud that almost nothing was understandable. This was made especially difficult when they threw in army lingo that the average person doesn’t understand. To make it worse, the dialogue that was spoken at a normal level was not great. In the middle of the movie, Eckhart gives a speech to his men explaining to them why he fights. This is supposed to be this grand speech to get his men’s support, but instead it falls flat. There were many awkward moments where I caught myself picturing the writer scratching his head, trying to write something emotional and then asking his mom for answers.
Along with too many characters with needy plotlines, subpar special effects, poor casting, and Bourne-like camera techniques, this movie didn’t impress me like I hoped it would. However, even with all of its inadequacies and disappointments, I still had fun watching it. In my opinion, it is not worth paying money to see at a theatre. Recently, second-rate movies have had wonderful trailers, therefore my new rule for which I will base going to the theater is such: the better the trailer, the worse the movie will be.
FINAL GRADE: B-
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